নীরার জন্য কবিতার ভূমিকা
A Preface to Poems for Neera
Neerar Jonno Kobitar Bhumika
এই কবিতার জন্য আর কেউ নেই, শুধু তুমি, নীরা এ-কবিতা মধ্যরাত্রে তোমার নিভৃত মুখ লক্ষ্য করে ঘুমের ভিতরে তুমি আচমকা জেগে উঠে টিপয়ের থেকে জল খেতে গিয়ে জিভ কামড়ে একমুহূর্ত ভাববে কে তোমার কথা মনে করছে এত রাত্রে–তখন আমার এই কবিতার প্রতিটি লাইন শব্দ অক্ষর কমা ড্যাস রেফ্ ও রয়ের ফুট্কি সমেত ছুটে যাচ্ছে তোমার দিকে, তোমার আধোঘুমন্ত নরম মুখের চারপাশে এলোমেলো চুলে ও বিছানায় আমার নিশ্বাসের মতো নিঃশব্দ এই শব্দগুলি এই কবিতার প্রত্যেকটি অক্ষর গুণিনের বাণের মতো শুধু তোমার জন্য, এরা শুধু তোমাকে বিদ্ধ করতে জানে
For these verses there is no one else, there’s just you, Neera These midnight verses are meant for your private intimate face Waking suddenly from your sleep, pouring yourself a glass of water You will wonder for an instant, biting your tongue, who it is That might be thinking of you at this hour of the night – at that moment Every line word syllable of my poetry, with every comma dash colon With every dot on every I, will race towards you, in the Unruly strands of hair framing your half-asleep Tender face, on your bed, these words of mine, silent as my breath Every letter in these verses, like the sorcerer’s arrow, is only meant for you They know how to pierce only you
তুমি ভয় পেয়ো না, তুমি ঘুমোও, আমি বহু দূরে আছি আমার ভয়ংকর হাত তোমাকে ছোঁবে না, এই মধ্যরাত্রে আমার অসম্ভব জেগে ওঠা, উষ্ণতা, তীব্র আকাঙ্খা ও চাপা আর্তরব তোমাকে ভয় দেখাবে না–আমার সম্পূর্ণ আবেগ শুধু মোমবাতির আলোর মাতো ভদ্র হিম, শব্দ ও অক্ষরের কবিতায় তোমার শিয়রের কাছে যাবে–এরা তোমাকে চুম্বন করলে তুমি টের পাবে না, এরা তোমার সঙ্গে সারারাত শুয়ে থাকবে এক বিছানায়–তুমি জেগে উঠবে না, সকালবেলা তোমার পায়ের কাছে মরা প্রজাপতির মতো এরা লুটোবে। এদের আত্মা মিশে থাকবে তোমার শরীরের প্রতিটি রন্ধ্রে, চিরজীবনের মতো
Don’t be afraid. Sleep. I am a long way away My dreadful hand will not touch you, this midnight My impossible arousal, heat, sharp desire and Muffled groan will not terrorise you – my feelings Like the beam of the candle, civilised, cool On verses of sounds and words Will visit your brow – if they kiss you You will not know it, they will lie with you on the same bed All night – you will not wake. In the morning They will droop like dead butterflies near your feet. Their soul Will merge into every pore of your body, forever.
বহুদিন পরে তোমার সঙ্গে দেখা হলে ঝর্ণার জলের মতো হেসে উঠবে, কিছুই না জেনে। নীরা, আমি তোমার অমন সুন্দর মুখে বাঁকা টিপের দিকে চেয়ে থাকবো। আমি অন্য কথা বলার সময় তোমার প্রস্ফুটিত মুখখানি আদর করবো মনে মনে ঘরভর্তি লোকের মধ্যেও আমি তোমার দিকে নিজস্ব চোখে তাকাবো। তুমি জানতে পারবে না–তোমার সম্পূর্ণ শরীরে মিশে আছে আমার একটি অতি-ব্যক্তিগত কবিতার প্রতিটি শব্দের আত্মা।
When I meet you after many years you will laugh Like the waterfall, not knowing any of this. Neera, I will Gaze at the slanting beauty spot on your lovely face While I speak of other things I will kiss your radiant face in my mind Even in a roomful of people I will look at you My own way. You will never know – with your entire body has mingled The soul of every word in this, my completely personal poem
Recitals
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Ashim Ranjan Chakraborty ↗
Personal notes: - Sorrowful and Mournful
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Niaz Imtiaz ↗
Description: এই কবিতার জন্য আর কেউ নেই, শুধু তুমি, নীরা... প্রিয় কবিতার আবৃত্তি... কবিতা: নীরার জন্য কবিতার ভূমিকা কবি: সুনীল গঙ্গোপাধ্যায় আবৃত্তি: নিয়াজ ইমতিয়াজ #প্রিয়কবিতারআবৃত্তি #নিয়াজইমতিয়াজ Aei kobitar jonno ar keu nei, shudhu tumi, Neera... Recitation of favourite poems... Poem: Nirar Jonno Kobitar Bhumika Poet: Sunil Gangopadhyay Recitation: Niaz Imtiaz Personal notes: - Passionate and confident
Glossary
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আধোঘুমন্ত
aadhoghumontuadjective half-asleep; drowsy; semi-conscious; slumberingNotes
Compound adjective formed from আধো (ādho - "half/partially", from Sanskrit অর্ধ) and ঘুমন্ত (ghumontu - "sleeping", from ঘুম + -ন্ত suffix). Describes a state between waking and sleeping (e.g., আধোঘুমন্ত অবস্থায় - "in a half-asleep state").
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আর্তরব
aartorobnoun cry of distress; scream of agony; painful wailNotes
Tatsama compound noun formed from আর্ত (arto - "distressed/pained", from Sanskrit आर्त) and রব (rob - "sound/cry/voice", from Sanskrit रव). Refers specifically to an agonized, desperate cry for help or expression of deep suffering (e.g., বিপদের সময় আর্তরব - "a cry of agony in times of danger").
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আবেগ
aabegnoun emotion; passion; impulse; sentiment; surge of feelingNotes
Direct Tatsama borrowing from Sanskrit आवेग (āvega - "agitation / excitement / momentum"). Refers to strong emotional feelings or passionate impulses (e.g., আবেগের বশে - "out of impulse/emotion", গভীর আবেগ - "deep emotion").
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আদর
aadornoun affection; love; tenderness; pampering; cuddlingNotes
Derived from Sanskrit আদর (ādara - "respect/regard"). False Friend (Hindi vs. Bengali): In Hindi, आदर (ādar) retains its original Sanskrit meaning of formal "respect/honor". In Bengali, the meaning shifted toward intimate tenderness, affection, pampering, or physical cuddling.
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ভাববে
bhabbeverb will think; will consider; will imagineNotes
Third person simple future tense (সে/তারা) or second person polite/formal simple future tense (আপনি). Root verb: ভাবা ("to think"), derived from Sanskrit भावयति (bhāvayati) / भाव (bhāva). Formed by adding the future inflectional suffix -বে to the verb stem.
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বিছানায়
bichhanaynoun on the bed; in bedNotes
Locative inflected form of the noun বিছানা (bichhana - "bed/bedding"). Cognate with Hindi बिछौना (bichhauna) / बिछावन (bichhaavan), both tracing back to Sanskrit विस्तार (vistara - "spreading out"). Formed by adding the locative suffix -য় (-y) to the noun stem (বিছানা + য় = বিছানায়). Used in contexts like (e.g., বিছানায় শুয়ে থাকা - "lying in bed").
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বাণের
banernoun of the arrowNotes
Possessive form of বাণ (ban - "arrow", from Sanskrit बाण). Formed by adding the possessive suffix -এর (-er) to the stem. Used in contexts like (e.g., বাণের আঘাত - "strike of an arrow"). Distinct from homophonic বান (ban - "flood/tidal wave").
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ভদ্র
bhodroadjective gentle; polite; courteous; mild; modestNotes
Tatsama borrowing from Sanskrit भद्र (bhadra - "blessed, auspicious, gentle"). In literary contexts, used to describe soft, modest, or non-aggressive qualities (e.g., ভদ্র হিম - "gentle/mild coolness").
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বাঁকা
bankaadjective curved; bent; crooked; slanted; tiltedNotes
Tadbhav word derived from Sanskrit वक्र (vakra - "crooked/curved"). Used to describe physical curves or angles (e.g., বাঁকা টিপ - "a tilted/slanted bindi", বাঁকা চাঁদ - "curved crescent moon").
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চোখে
chokhenoun in the eye(s); with the eye(s); in one's sightNotes
Inflected noun in the locative case (-এ). Base noun: চোখ ("eye"), derived from Sanskrit चक्षुस् (cakṣus). Formed by adding the locative suffix -এ to the base noun.
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ছুটে
chhuteverb having run; rushing; runningNotes
Conjunctive participle (non-finite verb) of the root verb ছোটা (choṭa - "to run", "to rush"). Formed by adding the non-finite participle suffix -এ to the verb stem, with stem vowel change (ো → ু). Frequently forms compound verbs like ছুটে যাওয়া ("to run towards/away") or ছুটে আসা ("to rush over").
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চারপাশে
chaarpaasheadverb all around; on all sides; in the surroundingsNotes
Compound adverb formed from চার (chār - "four", from Sanskrit चतुर्) and পাশে (pāśe - "on the side", locative of পাশ, from Sanskrit पार्श्व). Literally translates to "on four sides", used to indicate complete spatial surrounding (e.g., আমার চারপাশে - "all around me").
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চুলে
chulenoun in the hair; on the hairNotes
Locative inflected form of the noun চুল (chul - "hair"). Derived from Sanskrit चूडा (cūḍā - "crest/hair top") or चूल (cūla). Formed by adding the locative suffix -এ (-e) to the noun stem (চুল + এ = চুলে). Used in context like (e.g., এলোমেলো চুলে - "with messy hair", চুলে হাত দেওয়া - "to run hands through hair").
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চাপা
chapaadjective suppressed; muffled; hidden; covered; pressed downverb to press; to suppress; to cover; to run overNotes
1. Adjective: Used to describe something suppressed, muted, or concealed (e.g., চাপা কান্না - "muffled/suppressed crying", চাপা হাসি - "stifled smile", চাপা স্বভাব - "reserved nature"). 2. Verb: From the stem চাপানো/চাপা ("to press down/cover"). Used in physical or metaphorical contexts (e.g., গাড়ি চাপা পড়া - "to be run over by a car", সত্য চাপা দেওয়া - "to cover up the truth").
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চেয়ে
cheyeverb looking; gazing; staringpostposition than; compared toNotes
Conjunctive participle form of চাওয়া (chaawa - "to look / gaze" or "to want"). When paired with দিকে (dike) as চেয়ে থাকা (cheye thaka), it forms the compound verb "to keep staring / gazing toward" (e.g., টিপের দিকে চেয়ে থাকবো - "I will keep staring toward the bindi").
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এত
etoadverb so much; this much; so; so manyNotes
Demonstrative modifier indicating quantity, degree, or extent. Derived from Sanskrit इयत्त (iyatta) / एतावत् (etāvat). Used to emphasize intensity or extent (e.g., এত সুন্দর - "so beautiful", এত কেন? - "why this much?").
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এলোমেলো
elomeloadjective disorganized; scattered; messy; random; chaoticNotes
Descriptive reduplicated/echo compound word indicating lack of order or disorderliness. Used for physical clutter (e.g., এলোমেলো চুল - "messy hair") as well as abstract ideas or thoughts (e.g., এলোমেলো চিন্তা - "random/disorganized thoughts").
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গুণিনের
guninernoun of the exorcist; of the sorcerer/healerNotes
Possessive inflected form of the noun গুণিন (gunin - "exorcist, sorcerer, or traditional healer who uses charms/mantras"). Derived from Sanskrit गुणिन् (gunin - "virtuous, skilled, or possessing qualities/virtues"). Formed by adding the possessive suffix -এর (-er) to the noun stem (গুণিন + এর = গুণিনের).
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কামড়ে
kamreverb having bitten; biting; by bitingNotes
Conjunctive participle (non-finite verb) or locative noun form of কামড় ("bite"). Root verb: কামড়ানো ("to bite"). Formed by adding the participle suffix -এ to the verb stem (কামড় + এ). Frequently used in compound expressions (e.g., কামড়ে ধরা - "to bite down on / to hold fast with teeth").
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কাছে
kachhepostposition near; close to; by; beside; to (a person)Notes
Locative inflected form of কাছ (kachh - "proximity / side / vicinity"). Formed with the locative suffix -এ (-e). Used extensively as a postposition indicating physical proximity (e.g., নদীর কাছে - "near the river"), directional movement towards a person (e.g., তোমার শিয়রের কাছে - "near the head of your bed"), or mental/emotional closeness (e.g., আমার কাছে - "to me / in my view").
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লক্ষ্য
lokkhonoun target; goal; aim; intention; noticed; observedNotes
Derived from Sanskrit लक्ष्य (lakṣya - "target", "mark", "object"). Commonly used as a noun meaning "goal/aim" (e.g., আমার লক্ষ্য - "my goal") or in compound phrases like লক্ষ্য করা ("to notice/observe"). Not to be confused with লক্ষ (lokkho - "one hundred thousand / lakh"), though both share a common Sanskrit root.
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লুটোবে
lutobeverb will roll on the ground; will lie fallen; will lie scatteredNotes
Third-person future tense of the intransitive verb লুটানো (lutano - "to roll/wallow on the floor" or "to lie scattered"). Derived from Sanskrit लुंठ् (lunṭh - "to roll/wallow"). In Standard Colloquial Bengali (Chalit Bhasha), verbs ending in the -আনো (-ano) stem often undergo vowel mutation in the future tense. The -আ- (-a-) shifts to -ও- (-o-) before the -বে (-be) suffix. Therefore, লুটানো (lutano) becomes লুটোবে (lutobe) rather than লুটাবে (lutabe). Similar examples include লুকানো (lukano -> lukobe - "will hide") and ঘুমানো (ghumano -> ghumobe - "will sleep"). Context: Used in literary contexts to describe things resting or lying prostrate gracefully (e.g., পায়ের কাছে... লুটোবে - "will lie scattered at [your] feet"). Distinct from the transitive verb meaning "to loot/plunder".
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মতো
motopostposition like; such as; similar toadjective fit for; suitable; appropriateNotes
Functions primarily as an enclitic postposition following a genitive noun/pronoun (e.g., আমার মতো - "like me"). When used post-verbally or with nouns, it can denote degree, fitness, or sufficiency (e.g., খাবার মতো - "edible / suitable to eat").
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মিশে
misheverb having mixed; having blended; merging; unitingNotes
Conjunctive participle form of the verb মেশা (mesha - "to mix/blend"). Derived from Sanskrit मिश्र (miśra). Often used in compound verbs like মিশে থাকা ("to remain blended/embedded") or মিশে যাওয়া ("to dissolve/merge into").
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মুখখানি
mukhkhaninoun the face; the sweet/dear faceNotes
Formed by adding the endearing enclitic definite article -খানি (-khani) to the Tatsama noun মুখ (mukh - "face", from Sanskrit मुख). The suffix -খানি adds a tone of tender affection, aesthetic appreciation, or sweetness in poetic and literary contexts (e.g., তোমার মুখখানি - "your sweet face").
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নিভৃত
nibhritoadjective secluded; lonely; solitary; secret; hiddenNotes
Adjective describing a quiet or secluded place/state. Directly borrowed from Sanskrit निभृत (nibhṛta - "hidden", "secret", "quiet"). Often used in poetic or literary contexts (e.g., নিভৃত কোণে - "in a secluded corner").
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নিজস্ব
nijosshoadjective one's own; personal; private; characteristic; distinctiveNotes
Tatsama adjective derived from Sanskrit निज (nija - "own/native") + स्व (sva - "self"). Refers to something belonging exclusively to an individual or entity (e.g., নিজস্ব ঘর - "one's own room", নিজস্ব শৈলী - "one's own style").
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অমন
omonadjective such; of that kindadverb in that manner; that wayNotes
Correlative demonstrative word pointing to a distal/medial quality or manner ("like that over there"). Derived from Sanskrit অমুष्य or Prakrit অমূণ. Commonly used in speech and poetry (e.g., অমন কথা - "such words / talk like that").
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ফুট্কি
phutkinoun dot; small spot; speck; pointNotes
Descriptive noun referring to a small dot or point. Desiccated/colloquial term often used for the dot under Bengali letters like র (ro) or ড় (ṛo). Likely of Deshi/onomatopoeic origin indicating a tiny dot or spot.
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পেয়ো
peyoverb (you) get; (you) receive [imperative/future form]Notes
Second-person informal/polite imperative form of the verb পাওয়া (paawa - "to get/receive"). Used in negative imperative constructions like ভয় পেয়ো না (bhoy peyo na - "don't get scared/don't be afraid"). Distinct from the homograph পেয়ো (peyo - "drinkable/beverage", from Sanskrit पेय).
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প্রজাপতির
projapotirnoun of the butterfly; of Prajapati (god of creation/marriage)Notes
Possessive form of প্রজাপতি (projapoti - "butterfly", formed with -র / -er suffix). Semantic Shift: 1. Bengali (Modern): Almost universally refers to "butterfly" (e.g., প্রজাপতির ডানা - "butterfly's wings"). 2. Sanskrit (Original Tatsama): Means "Lord of Creatures" (প্রজা + পতি), referring to Brahma, a ruler, or the god overseeing marriage/procreation. In Bengali culture, 'প্রজাপতি' (Prajapati) is strongly associated with weddings. The symbol of a butterfly is traditionally printed on Bengali wedding invitations to invoke the blessings of the god of marriage.
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প্রস্ফুটিত
proshphutitoadjective blossomed; bloomed; unfolded; opened upNotes
Direct Tatsama borrowing from Sanskrit प्रस्फुटित (prasphuṭita - "blossomed / blown / expanded"). Formed with prefix প্র- (pro-) + root স্ফুট্ (sphuṭ - "to burst open/bloom") + suffix - ইত (-ito).
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পারবে
parbeverb will be able to; can; will manage toNotes
Second/third-person future tense of the auxiliary/modal verb পারা (para - "to be able to / can"). Derived from Sanskrit पारयति (pārayati - "to cross over / accomplish"). Often paired with a verbal noun or root (e.g., করতে পারবে - "will be able to do").
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রেফ্
rephnoun the Bengali diacritic sign (র্) representing a preceding 'r' soundNotes
Technical grammatical term for the post-consonantal superscript symbol (র্). Derived from Sanskrit रेफ (repha - "the letter r", "a low/vile sound"). Placed above a consonant or cluster to indicate an 'r' sound before that consonant (e.g., কর্ম - kormo, তর্ক - torko).
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রয়ের
royernoun of the letter 'Ra'Notes
Inflected form of the letter name র (ro). Formed by taking the base letter name র (ro) and adding a euphonic glide -য়- (-yo-) before the possessive suffix -এর (-er) to avoid a vowel hiatus (অ + এর → অয়ের). Literally "of Ra" (e.g., রয়ের ফুট্কি - "the dot of Ra").
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রন্ধ্রে
rondhrenoun in the pore; in the cavity; in the aperture; in every nook/creviceNotes
Locative inflected form (-এ suffix) of the Tatsama noun রন্ধ্র (rondhro - "pore / hole / aperture", from Sanskrit रन्ध्र). Frequently doubled as রন্ধ্রে রন্ধ্রে (rondhre rondhre) to mean "in every single pore" or "pervading through every nook and cranny."
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শুধু
shudhuadverb only; merely; simply; justNotes
Adverb/adjective used for restriction or emphasis. Derived from Sanskrit शुद्ध (śuddha - "pure", "clean", "mere"). Frequently used in both colloquial and literary Bengali (equivalent to কেবল / মাত্র).
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শব্দগুলি
shobdogulinoun the wordsNotes
Plural inflected form of the noun শব্দ (shobdo - "word/sound", from Sanskrit शब्द). Formed by adding the non-human/inanimate plural classifier suffix -গুলি (-guli) to the noun stem (শব্দ + গুলি = শব্দগুলি).
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শিয়রের
shiyorernoun of the head of the bed; near the headrestNotes
Possessive form of শিয়র (shiyor - "head-end of a bed/pillow area", derived from Sanskrit शिरस् / śiras). Formed with possessive suffix -এর (-er). Frequently used in poetry/prose (e.g., শিয়রের কাছে - "near the head of [someone's] bed").
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সকালবেলা
shokalbelanoun morning time; in the morningNotes
Compound word formed from সকাল (shokal - "morning", derived from Sanskrit सकाले) and বেলা (bela - "time / period of the day", from Sanskrit वेला). Refers specifically to the time period of the morning or functions adverbially as "in the morning" (e.g., সকালবেলা ঘুম থেকে ওঠা - "waking up in the morning").
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টিপয়ের
tipoyernoun of the teapoy; of the small tripod table/standNotes
Inflected noun in the genitive/possessive case (-এর). Base noun: টিপয় ("teapoy", "small three-legged table"), borrowed from Hindi तिपाई (tipāī), ultimately derived from Sanskrit त्रिपाद (tripāda - "three-footed") combined with Persian/English influences. Formed by adding the possessive suffix -এর to the base noun.
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থেকে
thekepostposition from; since; than (in comparisons)Notes
A widely used postposition indicating origin, time starting point, or comparison. Derived from the non-finite form of the verb থাকা ("to remain/stay"), ultimately from Sanskrit স্থা (sthā). Follows a noun or pronoun (e.g., ঘর থেকে - "from the room", গতকাল থেকে - "since yesterday").
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টের
ternoun perception; awareness; feeling; trace; inklingNotes
A Deshi / colloquial Bengali noun used almost exclusively in compound verbal expressions denoting perception or awareness. Most commonly paired with পাওয়া (paawa - "to get") as টের পাওয়া (ter paawa - "to feel / sense / realize / notice") or with পাওয়ানো (paawano) as টের পাওয়ানো (ter paawano - "to teach a lesson / make someone feel the consequences").
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টিপের
tipernoun of the bindi; of the decorative forehead dotNotes
Possessive form of টিপ (tip - "bindi / decorative dot worn on the forehead", formed with -এর / -er suffix). Derived from the root টিপা (to press/dab).
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তাকাবো
takaboverb I will look; I will gaze; I will stare; I will direct my eyesNotes
First-person future tense of the intransitive verb তাকানো (takano - "to look / gaze / stare"). Derived from Deshi/Prakrit origins. Differs from দেখা (dekha - "to see") by emphasizing directional focus or intent toward a target (e.g., চোখের দিকে তাকাবো - "I will look/gaze into your eyes").
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উষ্ণতা
ushnotanoun warmth; heat; temperatureNotes
Abstract noun derived from the adjective উষ্ণ (ushno - "warm/hot", from Sanskrit उष्ण). Formed by adding the abstract noun suffix -তা (-ta) to the adjective stem (উষ্ণ + তা = উষ্ণতা). Used for both physical heat/temperature (e.g., শরীরের উষ্ণতা - "body temperature") and emotional warmth.